What even is a Go-Between?
IT’S a middle-man or a middle-woman or indeed two men and two women or a combination thereof. He or she goes between to pass messages. The famous 1950’s novel The Go-Between was all about love, sadness and death but also and sexual awakening, by handwritten notes, passed through an intermediary.
These things are from where the band took their cues.
Then there’s the bridge. Melbourne has AC/DC Lane, Brisbane has Go Between Bridge. She runs over the Brisbane River in the inner-city, going between east and west, and she is tolled. Robert Forster once joked that it was nicer than a “Go-Betweens sewage works.” Apart from the cool name it’s just an everyday metropolitan bridge.
But it can be a trigger, even now. I was talking to a young musician from Queensland, Tia Gostelow. She’s from Mackay in Far North Queensland, close to Rockhampton where the late Grant McLennan was born. Robert and Grant formed the
She’s only 17 and after being featured on Unearthed, triple j began championing her. Tia was born in the year 2000 as the Go-Betweens reformed for a final suite of songs. They had started up in tandem with punk, but like
They made nine albums and most of the whole nine was fantastic, unimpeachable, wildly influential stuff; sad and bemused and very smart music, fragile, strange, always beautiful in some way or other. Highly mysterious. It did seem like they were messengers from some place that you couldn’t quite know.
When I spoke to her Tia had been into the
What even is a Go-Between?
First she went into ‘Go-Betweens Essentials’ on Apple Music, heard ‘
He came from up her way; he was the heartbeat of the group and a wonderful poet. He died suddenly in 2006, aged 48.
“He was so from the heart,” she says. “He wrote from the heart. Robert said that about him in an article I read.”
I think they're better than The Smiths and with much more longevity.
I spoke to a couple more musicians: Melbourne’s Gus Lord from Twerps,
The Twerps and The Creases for sure. Joe from The Creases says many of his musician friends in other Brisbane bands are more full-on about it than he is. Romy Vager from
Dick Diver without doubt, and a bunch of other bands of Melbourne’s Chapter Music label.
Alex Gow of Melbourne band
Gus and Joe both in fact had epiphanies around the song ‘
Gus heard it live in Perth when he was 18: “So eloquent and simple,” he says. “They seemed to be able to articulate something with depth.” The Creases supported
“Brisbane loves the Go-Betweens,” he says. “The places you visit, places you live around, people you know, it’s very personal for us.”
Who Loves The Sun?
IT seems like right now the Go-Betweens or at least lovestruck memories of them – for they are gone – are everywhere again. The documentary Right Here was shown for the first time at the Melbourne International Film Festival and it is incredible – a film, says director and friend of the band Kriv Stenders, about “choosing to live the creative life and the sacrifices and the cost that come with that. Trauma, joy, pain, triumph”.
There’s also Robert’s book Grant and I, a memoir but also a tribute to his best friend. Remember that when Robert decided he wanted a new band (he had played three shows in two years with The Godots) he flipped the usual script. So instead of asking people who could play, he asked Grant, who could not.
This was because of the
Robert wrote about this in a catalogue essay for an Andy Warhol exhibition in Brisbane, in 2007. He called it ‘
I’ve always loved guitar music that sounds like it’s about to fall apart, where the beginnings and endings are indistinct and unimportant. I grew up in New Zealand on Flying Nun in the ‘80s; in fact the first time I saw the Go-Betweens was in Auckland in 1985 or 1986 with, I think,
I phoned Robert to get a little more on his Velvet Underground thesis. He lives in The Gap to the west of central Brisbane in the hills and the trees, as he always has.
“Lou sounded like he had been playing guitar for about a year when I first heard
“I knew I could start a band with Grant, who couldn’t play. It didn’t matter. I had a breakthrough in my thinking with the Velvets. I could hear that ‘
Alex Gow says it didn’t matter they weren’t technical because they had such good ideas. “They performed those ideas the only way they could: with heart, ambition and confidence.”
Things changed of course; the music changed. The opening track on third album Spring Hill Fair, ‘
Lyrically, I would say, the Go-Betweens are hard to beat. By anyone.
"The music they produced has a mountain of personality."
The five-piece lineup and increasingly polished sound of the 16 Lovers Lane era is a favourite for many fans, but the costs were mounting. The relationships in the band were in strife and Robert and Grant were exerting more control over the songwriting; they later settled out of court with their former lovers, drummer Lindy Morrison and violin player Amanda Brown, for royalties.
“Both of us refused to be defined as the girlfriends,” Lindy says in the new documentary. The band was broken up by the men in 1989, but would reform, then Grant died. But it just seems to me as if they can be everlasting, despite all the troubles and purely on the strength of the music.
The film makes the point that they would have been pushed harder by one of their early labels, Rough Trade, if it wasn’t for an emerging band called
It was amazing but not surprising to find out from Tia Gostelow that she’s only just heard of them and is only just beginning to discern what Grant, paraphrasing his hero